JAMES JACKSON, JR. (Mademoiselle Diana) New York: The Wild Party (Columbia Stages), Hair (The Gallery Players), Classic M: The Songs of Motown (Blue Eyed Theatricals). National Tour: Whistle Down The Wind. Regional: Showboat (North Shore Music Theater), The Wild Party (SpeakEasy Stage Company), Jesus Christ Superstar, Songs for a New World, Hair (Company Theater), Dreamgirls (Massasoit Theater - Theater III DASH Award), Ragtime, Smokey Joe’s Café, Starmites (Bucks County Playhouse), Pippin (New World Theater Company)

JOHN KEABLER (Elliot Lowell) Regional: In The Corner, Romeo and Juliet,The Merry Wives of Windsor, Hamlet, Measure for Measure (The Old Globe); Pericles, Marat/Sade, The Laramie Project, Much Ado  About Nothing (The Old Globe/USD Professional Actor Training Program) Crazy for You, Light up the Sky  (Creed Repertory); The Taming of the Shrew, Romeo and Juliet, Les Liasions Dangereuses, The Glass Menagerie (Kentucky Repertory); Twelfth Night, Arsenic, Old Lace, Star Spangled Girl (Public Theatre of Kentucky). TV: All My Children.

ELIZABETH INGRAM MAURER (Thea Renquist Enfield) Off Broadway: Watbanaland, Five Women Wearing the Same Dress, Reverend Tribble & The Angels, Lysistrata. Regional: Atlantic City Tropicana: Little Shop of Horrors (Audrey), Mickey Rooney’s Christmas Memories; Dartmouth Amphitheatre: Damn Yankees (Lola); Red Barn Theatre: Sylvia (title role), Independence. Television: appeared as a QVC product expert, national anthem soloist for the St. Louis Cardinals, and had the distinct honor of doing a video  interview with Kermit the Frog for broadwayworld.com. Training: Carnegie Mellon School of Drama (BFA, Musical Theater). www.lizmaurer.com

VINCE NAPPO (George Truman) New York: Other Bodies (Flux Theatre Ensemble); Phallacy (Cherry Lane Theatre); The Jew of Malta with F. Murray Abraham, The Merchant of Venice which transferred to The Royal Shakespeare Company in Stratford, England and played in its Complete Works Season (Theatre For A New Audience); All’s Well That Ends Well (New York Classical Theatre). Regional: Denver Center Theatre Company, PlayMakers Repertory Company, Cincinnati Playhouse in the Park, and Chautauqua Theatre Company. International: Royal Shakespeare Company, Edinburgh Fringe Festival, Stephen Joseph in the Round, and the Sherman Theatre. Training: National Theatre Conservatory, Royal Welsh College of Music & Drama.

WILLIAM OTTERSON (Judge Robert Brack) New York: The Importance of Being Earnest (Roundabout), CockaDoodle Dandy (Yale); TV: over 40 projects including “Kings” on NBC, “Font Fight”, “Play or Be Played,” “College Humor Show” on MTV, “Night Blood”, “Magritte Magritte” for Dutch National TV, various commercials. Training: Darmouth College, Yale (MFA)

BILLY WHEELAN (Henri Gabler) New York: Our Leading Lady (Manhattan Theatre Club); The Road to Ruin (New York Musical Theatre Festival); It’s a Hit! (Fringe Festival); The Butcherhouse Chronicles (Summer Play Festival); Thick (Cherry Lane Theatre). Regional: Third (Denver Center); The 60s Project (Trinity Rep); Film: “The Private Lives of Pippa Lee (upcoming);” “Anamorph;” “Coda;” “Her Royal Escape To Love;” TV: “Law & Order: SVU,” “Late Night with Conan O’Brien.” Training: Northwestern University.

CHRIS YONAN (Ensemble) New York: Fairy Tale, Maccabeat (NYMF); The Five Borough Plays (Milk Can Theatre). Regional: Cherry Orchard and Homebody/Kabul (Steppenwolf Theatre); Sunday in the Park... (Ravinia Festival); Fiddler on the Roof (Drury Lane); other favorites include West Side Story, Assassins and the world premiere of Stephen Flaherty's musical Loving Repeating. Currently performing his one-man show The Idiot’s Guide to Dating at the Duplex.

Henri Gabler photos by Eliza Brown.

ALEXANDER BURNS (Writer/Director) New York: 10 Speed Revolution (Young Mirror Rep); Regional: Hamlet (Shakespeare Theatre Company, DC @ Carter Barron), Diabolique,The Maids and Lady in the Dark (Exigent Theatre), Angels in America, Millennium Approaches (Northwestern University), Copenhagen (University of Chicago). Alexander was the Directing Fellow at the Shakespeare Theatre in DC and has assisted directors Frank Galati, Gale Edwards, Michael Kahn, Michael Bogdanov, Robert Moss and Ethan McSweeny. Alexander is a graduate of Northwestern University and is an alum of the LCT Directors Lab and the Jack O'Brien Directors Lab. www.alexburns.com

IBBY CIZMAR (Producer) New York: The House of Yes (Triskellion Arts), Pterodactyls (78th Street Theatre Lab), company member of Alliance Repertory Theatre Company. Training: Bucknell University, BA in Theatre; Actors Studio Drama School, MFA.

NANCY BRAUN (Choreographer) New York: If You Give A Pig A Pancake (TheatreWorks, asst. to Dev Janki), A Night With Northwestern (Hudson Theatre), assisting for BC/EFA's Easter Bonnet and Broadway Bares. Chicago: The Wild Party (Music Hall of Chicago), Pippin, Urinetown, Tap That, and the Waa Mu Show. Nancy played Edna Mae in the recent Broadway revival of Gypsy. Training: Northwestern University. www.nancyreneebraun.com

ELIZA BROWN (Scenic Designer) New York: Perfect Harmony (Theatre Row, Fringe NYC 2006 and Studio Tisch); Penelope (Labowitz Theatre, NYU); Raised in Captivity (Red Fern); Dreams of Home (Monarch); PN1923.45 LS01 Volume 2 [The Book Play], The Rats are Getting Bigger (Fringe NYC); As I Lay Dying (Ohio); Colorado (SPF); Speaking in Tongues (PS 122); Couldn't Say (MITF); Below the Belt (City Theatre Company); Festival of New Works (NYU/Tisch Dept of Dramatic Writing). Regional: Diabolique (Philadelphia Fringe); Shining City, Red Light Winter (WHAT, MA); Window to the Street (Trinity College); Little Shop of Horrors (Northern Stage, VT); The Afghan Women (Passage Theater, NJ); Machinal (Bard College). Training: NYU/Tisch, MFA. www.elizabrown.com.

MIKE BILLINGS (Lighting Designer) New York: The English Channel (Abingdon Theatre Co.); Lecture with Cello (NYC Fringe); A Doll's House; Lonely Circus Beast; and I'm Gonna Love You Forever. Regional: Macbeth, The Threepenny Opera, Love's Labour's Lost, Marat/Sade (Connecticut Repertory Theatre); The Subject Was Roses (Dorset Theatre Festival); The Full Monty, Beauty and the Beast (Waterville Opera). International: Associate Lighting Designer for The Nutcracker (Norwegian Nat'l Opera & Ballet). www.MikeBillingsDesign.com

COLLEEN KESTERSON (Costume Designer) Colleen's credits include: I Have Before Me a Remarkable Document Given to Me by a Young Lady From Rwanda (Phoenix Theatre Ensemble); Unlock'd (NYMF); Pinkalicious, Full Bloom, Rebound and Gagged (Vital Theatre); Little Beasts, The Whipping Man (Luna Stage, NJ); Embracing Freedom (Ellis Island Foundation); Most Happy Fella, The Pirates of Penzance (Village Light Opera Group). Other projects include assisting on 2007's Tony nominated Cyrano de Bergerac at the Richard Rodgers Theatre and 2005's Souvenir at The Lyceum Theatre on Broadway. Colleen holds a BFA from SUNY Purchase and is a proud member of USA Local 829.   www.colleenkesterson.com

JANA LANCASTER (Assistant Stage Manager) NYC debut. Regional: Stuff Happens, Altar Boys (Phoenix Theatre, Indiana); Real Women Have Curves, When Ya Comin' Back Red Ryder (Northern Arizona University). Also House Manager, Cookie Company Children's Theatre in Phoenix, Arizona.

JESSICA MEIRS (Prop Master) NYC: The House of Blue Leaves, Props Department internship (The Juilliard School); The Colored Museum (Crossroads Theatre Company); Blue Before Morning (terraNOVA Collective); In the Sawtooths (Mason Gross School of the Arts). Training: Mason Gross School of the Arts at Rutgers University, BFA in theatre design.

PHILLIP SCOTT PEGLOW (Sound Designer) New York: King Lear (Public Theatre); God Hates the Irish (Rattlestick Theatre); world premiere Mickey Mouse is Dead (off-Broadway and Edinburgh Fringe Festival). Regional: Edward II (Shakespeare Theatre Company); The Sound of Music (Salzburg Marionette Theatre); Cabaret (Arena Stage); Yale Repertory Theatre; Berkshire Theatre Festival; TheatreWorks Hartford. As associate sound designer, Broadway: 110 In the Shade, Apple Tree (Roundabout Theatre

Company); Julius Caesar; On Golden Pond; Souvenir; The Caine Mutiny Court Martial. As a consultant with ARTEC Consultants Inc., he designs sound and communications systems for performing arts centers and also serves as technical director for the Rock and Roll Hall of Fame Annex NYC. Training: Yale School of Drama, MFA in Sound Design.

PAMELA REICHEN (Stage Manager) New York: I’m Gonna Love You Forever (22 yellow rose). Regional: Johnny Guitar, The Best Little Whorehouse in Texas, Leading Ladies (Cortland Repertory Theatre); Twelfth Night (Illuminations, Roanoke Island Festival Park). As Production Assistant: Home (Signature Theatre, NYC); Antony and Cleopatra, Titus Andronicus, The Beaux’ Stratagem (Shakespeare Theatre Company, Washington DC); Merrily We Roll Along (Signature Theatre, VA). Training: North Carolina School of the Arts, BFA.

DAVID OGLE (Technical Directon)

MATT WARD (Marketing Strategist)

DEVAN HIBBARD (Asst. House Manager)

MATT MELKOVIC (Asst. House Manager)